Strandgut

• Hypnobobs - Hypnogoria 126: It Part 1 - Pennywise on the Page
• Screaming Queenz: Don't Cancel The Clown - A Queer Reaction to It Chapter 2
• SFFaudio: Exhalation: Stories: What’s Expected Of Us by Ted Chiang
• SFFaudio: The Defenders by Philip K. Dick
• The Folklore Podcast: The Girl Who Speaks Bear. With guest Sophie Anderson
• Lovecraft eZine Videocast: Curtis M. Lawson
• Trekabout - Patron Special 13: LGBT Issues in Star Trek
• Trekabout - Patron Special 14: Comparing Journey to Babel and Sarek
• Trekabout - Patron Special 15: For the Love of Spock
• The BATTASS Podcast: Terror in the Sky / Almost Got ‘Im
• The BATTASS Podcast: Birds of a Feather / What is Reality?
• The Twilight Zone Podcast: Nicholas Parisi Presents Serling-Fest 2019
• By Invisible Hands by Simon Strantzas vorgetragen von Julia Morgan
• NUTS4R2 bespricht Pulse * The Saint Meets The Tiger * Wild Cards - Knaves Over Queens * Wolf  * Every Shade Of Blue * Ad Astra  
• Movies Silently: Absalom (1912) - A Silent Film Review von Fritzi Kramer
• Movies Silently: Onésime, Clockmaker (1912) - A Silent Film Review
• Movies Silently: Celebrate Talk Like a Pirate Day with These Piratical Silents!
• Movies Silently: The Best Films of 1923 According to Critics of the Time (and they all survive!)
• Movies Silently: "You Probably Won’t Burn to Death at Our Theater” Asbestos Ad from 1914
• Cinephilia & Beyond: In the Mouth of Madness: John Carpenter’s Love Letter to H.P. Lovecraft and the Subgenre of Cosmic Horror
• Cinephilia & Beyond: Carol Reed’s The Third Man: How Orson Welles Stole a Show He Was Barely In
• CrimeReads: How Scooby Doo Revived Gothic Storytelling for Generations of Kids von Eleni Theodoropoulos 
• A Year in the Country: The Dangers of Straying from the Path and Tales of Lycanthropy Part 1 – The Cautionary Warnings of Little Red Riding Hood and The Company of Wolves
• A Year in the Country: Andrew Niccol’s Gattaca, In Time and Anon – Striving for the Stars in a Brutalist Retro Future and Other Near Future Tales
• We Are The Mutants: Lost in the Time Vortex: The American Cult of Doctor Who von Michael Grasso
• We Are The Mutants: “An Infinite Capacity for Suspicion”: The BBC’s Tinker Tailor Soldier Spy Turns 40 von Joseph Oldham
• Diabolique Magazine: An Englishman’s Guide to Italian Gothic: The Long Hair of Death (1964) von Rob Talbot
• Diabolique Magazine: Playboy Photo Shoots and a Cruise on the Poseidon: How Carol Lynley Used Cat-Like Beauty and a Cat-Clawed Determination to Make Hollywood Hers von Kevin Nickelson
• Diabolique Magazine: Bruce in Bollywood: Dharmendra Meets Bruce Le in Katilon Ke Kaatil von Keith Allison 
• House of Freudstein: High Carati… Escape From Women’s Prison.
• House of Freudstein: Sex Dwarf, Isn’t It Nasty? The Beast In Heat
• Toronto International Film Festival 2019 - Part 1: Paris Stalingrad: The plight of refugees in the French capital, once “one of the best cities” von David Walsh + An interview with Hind Meddeb, director of Paris Stalingrad: “It’s not a film about refugees, it’s a film about human beings”
• Toronto International Film Festival 2019 - Part 2: Love Child, Hearts and Bones, Atlantics: A Ghost Love Story - Some of the social traumas of our time von Joanne Laurier + An interview with director Eva Mulvad: “You can…come a bit closer to having a more rounded understanding of the world” 
• Toronto International Film Festival 2019 - Part 3: The personal and social tragedy of “dark periods”: Ibrahim: A Fate to Define, South Terminal, My English Cousin, 1982 von David Walsh + An interview with Lina Al Abed, director of Ibrahim: A Fate to Define: “We Palestinians need to look at our recent history with a more critical and objective eye”
• Official Secrets: A whistleblower attempts to prevent the Iraq War von Tim Avery
• The Photographer of Mauthausen: Documenting Nazi crimes in a wartime concentration camp von Benjamin Mateus  
• Fantasia 2019, Day 16, Part 1: Night God von Matthew David Surridge 
• Fantasia 2019, Day 16, Part 2: Human Lost
• Fantasia 2019, Day 17, Part 1: White Snake
• Fantasia 2019, Day 17, Part 2: The Relative Worlds
• Fantasia 2019, Day 17, Part 3: Kingdom
• Fantasia 2019, Day 17, Part 4: Why Don’t You Just Die!
• Fantasia 2019, Day 17, Part 5: Les Particules
• Fantasia 2019, Day 18, Part 1: Gintama 2: Rules Are Made to Be Broken
• Fantasia 2019, Day 18, Part 2: The Moon in the Hidden Woods
• Fantasia 2019, Day 19, Part 1: Full Contact
• Fantasia 2019, Day 19, Part 2: Depraved
• Fantasia 2019, Day 19, Part 3: “A Japanese Boy Who Draws” and Yutaka Yamamoto’s Twilight
• Fantasia 2019, Day 19, Part 4: Son of the White Mare
• Meara Finnegan: Kurzgeschichtenfestival September
• Every Day Should Be Tuesday: Vintage Science Fiction Month: Science Fiction’s Family Tree von Andrea, The Little Red Reviewer   
• Ladies of Horror Fiction: W is for Witching: An Analysis of the Hawthorne Name and Identity von Stephanie M. Wytovich
• Eight Miles Higher: Michael Moorcock's first 'ELRIC' von Andrew Darlington 
• Deep Cuts in a Lovecraftian Vein: Are You There, Cthulhu? It’s Me, Judy (2018) by Beth W. Patterson & The Madonna of the Abbatoir (2014) by Anne M. Pillsworth
• Andre Norton Reread: Double Dystopia in Andre Norton’s The Stars Are Ours! von Judith Tarr
• Nightmare Magazine: The H Word: You Really Don’t Want to Do This von Lisa Morton 
• A (Black) Gat in the Hand: Paul Bishop on Lance Spearman – The Black James Bond
• Black Gate: The Golden Age of Science Fiction: The Button Molder by Fritz Leiber von Steven H. Silver 
• Lovecraft eZine: James Champagne Pens a Love Letter to Providence & Lovecraft with Harlem Smoke & Gou Tanabe Delivers Stunning Manga Adaptations with H.P. Lovecraft’s The Hound and Other Stories von Acep Hale
  
• Strange Horizons: Artist Interview: Em Allen & Artist Interview: Qistina Khalidah 
• We Are The Mutants: Yours Apefully: The Planet of the Apes Live Arena Show, 1976 von Richard McKenna