Strandgut der Woche

• Trekabout - Episode 239: Parallax / Time and Again 
• Hypnobobs - Hypnogoria 53 – Zombi Zombi Part X: Reanimating the Dead 
• SFFaudio Podcast: The Unnamable by H.P. Lovecraft
• Space Dock Jury - Episode 30: Jub Jub The Jesus Ship
• Tuning In: Episode 37: The X-Files, Ghost in the Machine / Ice
• Screaming Queenz: Video Nasty Double Feature (The Burning & The Funhouse)
• NUTS4R2 bespricht Life * Eskimo Nell * Under The Shadow  
• Movies Silently: The Big Swallow (1901) - A Silent Film Review von Fritzi Kramer
• Movies Silently: After the Silents: The Great Race (1965)   
• Movies Silently: Announcement: The Classic Movie Cookalong (and Book Giveaway!)
• Nicholas Ray’s They Live by Night (1948): “They’re thieves, just like us” von Joanne Laurier
• Cinephilia & Beyond: Paths of Glory: Stanley Kubrick’s First Step Towards Cinema Immortality 
• Cinetropolis: Simianside Special – Stop The Planet Of The Apes, I Want To Get Off von Tim Pelan
• Cinetropolis: Punishment Park: A Subversive Mother von Tim Pelan
• Cinetropolis: Wolfshead: Remembering Robin Of Sherwood von Tim Pelan   
• Celluloid Wicker Man: Doomwatch, J.G. Ballard and High-Rise von Adam Scovell  
• Screaming Queenz: SS Experiment Camp (1976)
• Moviedrone: Remembering David Shire's Zodiac von Charlie Brigden   
• Diabolique Magazine: Howling at Home: Monster Mash-Ups in House of Frankenstein (1944) and House of Dracula (1945) von Lee Gambin   
• Diary of a Screenwriter: Antonioni on Blow-Up
• Film on Paper: The Thing (USA) * Veronika Voss (USA) * Le Cercle Rouge (UK) * Anguish (USA) * Operation of the Gun (Thailand)
• Film on Paper: Escape From New York / press kit / UK   
• Lake Hermanstadt: Der Kurgan – warum heißt der eigentlich Kurgan?
• Böhmerts Hasenbrot: Gelesen: von Kummant und von Eckartsberg, Gung Ho Bände 1 und 2 (D 2013/2015)
• Moyas Buchgewimmel: Rezensiert: Anna Dressed in Blood
• Translate or Die: Mut zur Gelassenheit von Markus Mäurer
• Fantasyguide: Ralf Steinberg bespricht Unheimliche Geschichten von Edgar Allan Poe
• Fragment Ansichten: 7 Typen von Antagonisten von Alessandra Reß   
• Adventures Fantastic: An Ode to the Ballantine Best of Series and Why We Need it More Than Ever von Keith West
• Folklore on Friday: The Secret Life of Statues von Jim Moon 
• Lovecraft eZine: Finding Lovecraft in the Weird World of Creepypasta von David Burke
• Artsy: The Forgotten Female Abstract Expressionist Who Was Tracked by the FBI von Abigail Cain
• The Charnel-House: Mihály Biró, 1886-1948
• The 'Orrible 'Ouse of Terrible Old Tat #11 - Even More Death & Horror von Jim Moon

The Early Women Filmmakers Blogathon:

• Movies Silently: The Nose (1963) - A Silent Film Review 
• Movies Silently: The Smiling Madame Beudet (1922) - A Silent Film Review
• Bible Films Blog: La naissance, la vie et la mort du Christ (1906)
• Cinematic Scribblings: Reflections: Cléo from 5 to 7 (1962)
• Century Film Project: Alice Guy-Blaché: Mother of Film 
• The Movie Rat: Germaine Dulac
• Cinema Gadfly: Le bonheur
• Peyton's Classics: The Films of Mabel Normand
• The Motion Pictures: Dorothy Arzner’s The Bride Wore Red (1937)
• Big V Riot Squad: Dorothy Davenport: Her Life and Career 
• Prince of Hollywood: Mabel Normand Takes The Wheel
• The Stop Button: Lois Weber's The Blot (1921)
• Moon in Gemini: Ida Lupino’s The Hitch-Hiker (1953)
• Realweegiemidget Reviews: Ida Lupino Directed TV Tales with a Twist
• Old Hollywood Films: Dorothy Azner's Dance, Girl, Dance (1940)
• Ferdy on Films: Lois Weber's Shoes (1916) 
• Silver Scenes:  Ida Lupino’s The Trouble with Angels (1966)
• Silver Scenes: Leontine Sagan’s Maedchen in Uniform (1931)
• Film Ruminations: Olga Preobrazhenskaya’s The Peasant Women of Ryazan (1927)
• The Motion Pictures: The Career of Muriel Box
• Critica Retro: Gilda de Abreu: Unmatched
• Dennis J. Duffy: “Evangelist”: The Films of Dorothy (Fowler) Burritt
• Not This Time, Nayland Smith: Forough Farrokzhad’s The House is Black (1963)
• Vcinema: A Discussion of Three Pre-1970 South Korean Female Directors: Park Nam-ok, Hong Eun-won, and Choi Eun-hee
• Caftan Woman: Dorothy Arzner’s Merrily We Go to Hell (1932)
• Once Upon A Screen: Dorothy Arzner’s The Wild Party (1929) 
• Silver Screenings: Director Leni Riefenstahl: Artistry and Propaganda 
• Cinematic Scribblings: Holding Pattern: Wings (1966)
• The Last Drive In. The Art of Lotte Reiniger: The Adventures of Prince Achmed (1926)