Strandgut der Woche

• Hypnobobs - Microgoria 56: Paperbacks From Hell
• Lovecraft eZine Videocast: Ellen Datlow 
• Strange and Deadly's Television Terror - Episode 1
• The Black Dog Podcast - Episode 356: Full Metal Jacket 
• The Last Horror Podcast: The Romero Sessions: Season Of The Witch
• Trekabout - Episode 296: Infinite Regress / Nothing Human
• SFFaudio Podcast. Out Of The Earth by Arthur Machen
• The Folklore Podcast: Witch Bottles: A conference lecture by Dr Peter Hewitt
• Nasty Pasty Podcast: Machines
• Nasty Pasty Podcast: 88 Films 2: Zaxploitation and Images of Apartheid
• The Black Dog Podcast: Avengers Infinity War Spoiler Cast
• The Great Derelict: That's no moon, its a rapidly expanding field of debris...
• NUTS4R2 bespricht Avengers - Infinity War * Annihilation * Wonder Woman Unbound
• Movies Silently: Mum’s the Word (1926) - A Silent Film Review von Fritzi Kramer
• Movies Silently: Theme Month! May 2018: Movies About Movies
• Movies Silently: Silent Movie People Salute You
• Cinephilia & Beyond: Duct Soup: The Daffy, Dystopian Design Nightmare of Terry Gilliam’s Brazil
• Cinetropolis: Excalibur: John Boorman’s Once And Future Movie Myth
• San Francisco International Film Festival 2018 - Part 4: Documentary about singer M.I.A. (“Use your art to say something!”) and Paul Schrader’s First Reformed (small-town preacher struggles with life and death) von Toby Reese
• San Francisco International Film Festival 2018 - Part 5: The generally - and genuinely - inadequate character of global filmmaking von David Walsh  
• American Cinematographer: Freddie Francis and The Innocents
• Clarkesworld Magazine: Metallic Mayhem in the Movies: Giant Mecha, Then and Now von Mark Cole
• Celluloid Wicker Man: Jean-Pierre Melville’s Un Flic (1972) and Le Corbusier’s Transitional Pigments von Adam Scovell
• Celluloid Wicker Man: An Exhaustive List of Nothing and Everything in Chantal Akerman’s Saute Ma Ville (1968)
• 4:3 Film: Mainstream Obscurity: The Films of Elaine May von Alexandra Heller-Nicholas
• Diabolique Magazine: Legacies of Sade: Death by Gourmet in Ferreri’s La Grande Bouffe (1973) von Joseph E. Dwyer 
• Diabolique Magazine: Karma’s a Bitch: Kung Hu’s Legend of the Mountain (1979) von Mike Hauss
• Diabolique Magazine: Dracula (1958 – German Blu-Ray Review) von Dima Ballin
• Diabolique Magazine: “The Weird is, the Weird was, the Weird will be.” An interview with They Remain director Philip Gelatt
• Screening the Past: Issue 43 (April 2018)
• FragmentAnsichten: Aprilansichten 2018 & PAN-Branchentreffen und Literaturcamp Bonn 2018 von Alessandra Reß
• Moyas Buchgewimmel: Requiem for Immortals • Lee Winters
• Strange Horizons: Remaking the Difference: A Discussion about Indian Speculative Fiction
• Black Gate: A Demon Rising: Ardneh’s World by Fred Saberhagen von Fletcher Vredenburgh
• Black Gate: Tarzan Swing-By: Tarzan and the Lost Empire (1928–29) von Ryan Harvey
• Clarkesworld Magazine: Another Word: Chinese Science Fiction Going Abroad - A Brief History of Translation von Regina Kanyu Wang  
• Dark Lane Creative: Artists for an Anitquary: M.R. James and his illustrators
• The Falsification of David King’s work - Red Star Over Russia: A Revolution in Visual Culture 1905-55 at the Tate Modern in London von Paul Mitchell + Artists on the Tate Modern’s David King exhibition, Red Star over Russia
• Discover and Read the Best of Twitter Threads by @PulpLibrarian